Loading Events

Coming Soon

Event Calendar

« June 2024 » loading...
M T W T F S S
27
28
29
30
31
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
Sun 23

The Dead Don’t Hurt (15)

June 21st - June 27th
Sun 23

The Beast (15)

June 22nd - June 23rd
Mon 24
Mon 24

Event Search

« All Events

  • This event has passed.

Red Sky at Sunrise – Laurie Lee in Words & Music with Anton Lesser

February 10th 7:30 pm

Red Sky at Sunrise

 

Direct from the RSC: Laurie Lee’s extraordinary story, told in a captivating weave of music and his own words. Red Sky at Sunrise follows Lee through his much-loved trilogy, Cider with Rosie, As I Walked Out One Midsummer Morning, and A Moment of War, when Lee leaves his Cotswolds home one summer morning, and ends up fighting with the International Brigades against Franco’s forces in the Spanish Civil War.

Two of our best-loved actors, Anton Lesser (Game of Thrones, Wolf Hall, Endeavour) and Charlie Hamblett (Killing Eve, Ghosts, The Burning Girls) play the role of Laurie Lee older and younger, along with a rich array of other characters. Together, they celebrate Lee’s engaging humour, as well as his darker side, in a performance that has startling resonance with modern events.

Orchestra of the Swan’s music echoes Lee’s lyrical writing, from the lush Gloucestershire countryside made famous in Cider with Rosie, to the dry landscapes of Spain, via Elgar, Vaughan Williams, Walton, Holst, Britten, Albéniz, Turina and De Falla.

Running time: 1 hour 50 minutes (including interval)

 

Details

Date:
February 10th
Time:
7:30 pm
Event Categories:
,

Venue

Festival Theatre
Grange Road
Malvern, WR14 3HB

Other

Price:
£35.84 £30.80 £25.20
Price includes 12% booking fee
Show Times:
Saturday 10th February at 7.30pm

Event Reviews

  • Michelle

    An absolutely beautiful evening, fabulous music and wonderful storytelling.

  • Showtime! John Phillpott

    The England of Laurie Lee has now all but vanished which made this evocative tribute in words and music all the more moving and enjoyable.

    Actors Anton Lesser and Charlie Hamblett took us gently by the hand and led us down a Gloucestershire country lane to the village of Slad, the sleepy Cotswold community in which the child was clearly the father to the man.

    Unlike many, if not most of his fellow villagers, Lee left his native turf to find a fortune of sorts in the civil war-torn Spain of the 1930s.

    However, in many ways, the writer never spiritually left. Indeed, he remains there to this day, resting for eternity in that hillside graveyard just across the road from the Woolpack pub, the favoured watering hole where he could still be found right up until his final days.

    Lesser and Hamblett tell the story in a way that would surely have met with the approval of the great man. They deliver the narrative with great feeling and sensitivity, Lee’s distinctively lyrical style leaping from the pages as the two men effortlessly ride with the current of the writer’s thought streams.

    The words are complemented in perfect counterpoint by whole host of composers, ranging from the achingly pastoral work of Vaughan Williams and Benjamin Britten, before crossing the Bay of Biscay where a hotter tempo burns brightly, courtesy of guitar pieces by Albeniz, Turina and De Falla.

    The Orchestra of the Swan’s lilting and delicately delivered response to Lee’s prose poetry never fails to capture every sunny moment, whether in rural Gloucestershire, or in the baked plains of southern Spain.

    Shut your eyes and you’re there in an instant, such as when the action moves to the Iberian Peninsular with his book As I Walked Out One Midsummer Morning.

    Here we find him in the white-hot crucible of the civil war, where we learn that in one nameless encounter, he kills a man with his rifle bayonet, the eyes of the dying adversary, we are told, being ‘full of anger’.

    In recent times, doubt has been cast on the writer’s involvement in the war. Be that as it may, all his recollections, including a temporary imprisonment in a hole in the ground, have a stark ring of truth about them.

    Lee is perhaps best known for his confessional work Cider with Rosie, a coming-of-age tale set in some eternal mowing meadow which one feels Lee never really wanted to leave.

    But just as one swallow doesn’t make a summer, neither does a single kiss stolen from underneath the hay wagon make for a long-lived romance. Yet those who drink from the cup of first love will never forget, and so it was with Lee.

    That Tudor-era staple Greensleeves was fittingly chosen for the musical finale, this being entirely appropriate for a man whose greatest love was perhaps for the fields, woods and babbling brooks of an English rural childhood.

    And like the biblical tale of the Prodigal Son, which he undoubtedly learnt about at his village primary school, Lee was indeed destined to return with gold in great store, in the form of his immortal words.

    Brought to Malvern direct from the Royal Shakespeare Company, Stratford-upon-Avon, this production was a thoroughly enjoyable journey through the back pages of one of Britain’s best-loved writers.


Write a Review